We are all working from home more, and out of home opportunities for Artists have for the moment mostly vanished.
I’ve noticed that this website is sorely in need of update – a good COVID19 iso goal! So watch this space.
Also, SALA (South Australian Living Artists festival) this year is likely to be very different, so over the next few posts I am going to be experimenting with how I might share my work online in SALA style.
I hope to show some of my drawings and how they were made, and how they might then give rise to other work.
As a starter, here is a drawing I made this morning, and if you follow the hyperlink on her name you will see the drawing replayed, including the squiggly play where I was testing out the new unfamiliar app that I was using today.
Working on this project involved several months of immersion at “F Block” where the grapes were grown for this 2017 very special shiraz.
I made a number of iPad ‘drawings’, measuring the changes over time in the landscape and the vines. The final label design grew out of these works, expressing the unique qualities of “F Block”.
The exhibition continues throughout August 2019, 11am – 5pm daily at Hentley Farm Cellar door, Corner Gerald Roberts and Jenke Roads, Seppeltsfield. Work is for sale, you can enquire via this blog, or details provided on the floor sheet at the exhibition.
The Saint Ignatius Art Show opens this evening and continues all weekend for SALA. It is a popular biennial fixture in SALA, where a broad range of local Artists show their work.
I will be exhibiting a small group of paintings and iPad mash-ups. Making this body of work I was thinking about cultural and religious traditions and the timelessness of stories associated with them. Our stories needn’t be assigned to “museums” of thought. They are living and contemporary expressions of our connectedness. I also like to muse on the possibility of these stories crossing cultural and religious borders.
Saint Ignatius Art Show is at Saint Ignatius Junior School, Queen Street, Norwood.
It opens Friday August 9th, and will be open for viewing Saturday 10th 10-4 and Sunday 11th, 10-4.
Emma Hack’s Exhibition celebrates the work of South Australian Artists, and this year the theme is “Identity”.
The exhibition is in the Festival Theatre Foyer, and officially opens Thursday 11th February at 6pm.
It can be viewed any day from 9 until 5 and when events are on at the theatre, and runs until March 13th.
A winner will be selected by a panel of judges , and there is also a people’s choice award – voting can be done on line here and works can be purchased online here. A list of finalists can be found here
In my video work, the viewer can “participate” in the drawing transformation of one family member to the next. The unique qualities of digital drawing enable the drawing process to be replayed and preserved.
Our DNA determines in part our unique and at the same time composite identity. This animated series of portrait drawings explores that fascination we have with family likeness.
To see the movie, visit the exhibition at the Adelaide Festival Theatre, Feb 11th until March 13th!
My small SALA exhibition opens at Jorells Face Hair Body, City Cross, Adelaide tomorrow. There are a number of patched and slashed digital drawings in light boxes, and four paintings. I’ve also made a very large light box using the salon’s advertising window and transforming it with an extra large print of one of my iPad drawing “mash-ups”.
It’s fun, and my own little plug for observational drawing and the primacy of “seeing”.
Drinks with the Artist are from 5-7, and the exhibition runs for a month.
“Gleam” finishes this Saturday, 22nd November at 5pm. It is my current exhibition of drawings and paintings at Hill Smith Gallery, 113 Pirie Street, Adelaide. The gallery is open from 10-5, Tuesday until Friday, and 2-5 on Saturday. My work is upstairs on level 1, and on the ground floor is a beautiful exhibition by Thom Buchanan. I won’t be exhibiting for a while, so if you can get along to see it I’d be really happy!
To see images of the paintings click here. The drawings have been shown in light boxes, and I haven’t posted images of them. If you manage to go along, I’d love to know what you thought.
We have just finished the wonderful mad three or so weeks of the Adelaide Festival and Fringe. Artist’s week, The Adelaide International and The Adelaide Biennial have managed to keep me away from my studio in large chunks.
I was intensely engaged for over two weeks in the Studio Orta workshop, making hearts for Jorge Orta’s Heart Project. It was an inspiring insight into the potential of collaborative and community based Art action. The results, and other work produced by Lucy and Jorge Orta and their collaborators can be seen at the Jam Factory gallery in Adelaide until the end of March, as part of “Apart , we are together”, the Adelaide International exhibition.